Lady Bird: A Tale of Working Class Guilt

By Graeme McKay

Vladimir Nabokov told us that good readers shouldn’t look to emotionally identify with the protagonist of a story, and for the most part I managed to avoid falling into that trap while watching Lady Bird. Most of the film didn’t engage me very much, but the working class guilt was like a gut punch: a sometimes overplayed, but always interesting thread that permeated the mother and daughter relationship. Continue reading