With the New Year well under way its appropriate that we take a look back and pick some of our favourite films from the past 12 months. Looking back allows us to choose from a variety of different types of cinema. Here are my personal favourites viewed in 2016. Continue reading
Every time a new Cliff Martinez score is announced it’s almost guaranteed to be included in my favourite scores of the year and his score for Nicolas Winding Refn’s latest feature The Neon Demon is no exception. Continue reading
Director – Jeremy Saulnier
A visceral and pulsating experience, Green Room felt more like a rollercoaster ride than a movie. The ensemble cast is sublime, playing off each other with skill and ease. Jeremy Saulnier proves again that he is one of the most talented Directors around, using every affordable piece of space to almost drown you in tension and fear. The direction makes every scene relevant and Green Room Continue reading
In the great tradition of American Independent Cinema, BUZZARD comes bursting onto the screen as a postmodern nod to the great ‘Indiewood’ classics of the past. Continue reading
Australian composer Michael Fugucio, aka Vi-Res, is part of a new exciting generation of soundtrack composers whose styles echo that of the classic horror and sci-fi genre movies of the 70’s and 80’s. Vi-Res already has three releases under his belt; the Imaginary scores The First People and Sunstar, as well as the recently released Lost Score, his unused score for an upcoming Australian Continue reading
Independent Filmmaker Scott Crawford is the man behind one of the most interesting documentaries of 2014, SALAD DAYS: A DECADE OF PUNK IN WASHINGTON, DC (1980-90).
Salad Days is a film that examines the early DIY punk scene in Washington DC, exploring the musical and cultural legacy that it forged. A host of interesting contributors allows the audience to get a full understanding of what was going on in Washington at the time. Continue reading
