By Marek Robert
As we reach October and Halloween is approaching rapidly, it once again feels like the right time to get into the mood of things and give you a list of some of my favourite horror soundtracks. I’ve decided to make this a list of 80’s scores only as it’s my favourite era of horror film and scores, and just for the sake of keeping it down to five (which felt difficult enough).
So, here are my top five 80’s horror scores (in no particular order). Continue reading
The release of Slime City see’s yet another forgotten film score resurrected from the lost vaults of obscurity and launched into the ever-expanding world of vinyl soundtrack reissues. The average soundtrack collector would be forgiven for having never heard of this obscure retro 80’s oddity, whilst others may think about giving it a miss due to the overwhelming onslaught of film scores Continue reading
The score to the infamous German nasty Nekromantik was released earlier this year through the fantastic One Way Static records, another top reissue from the Belgian based soundtrack label. The film itself was infamously banned in numerous countries throughout the world due to it’s realistic gore, animal cruelty and an extremely odd threesome with a severely decomposed corpse. Continue reading
With a raft of postmodern horror films being released in recent years I decided to look back at the classic American slasher film. As someone who grew up with a fascination and love of horror, it’s incredibly difficult to boil down any of my favourite sub genres into a top 5 list but I decided to give it a go anyway. Continue reading
Angst is a 1983 Austrian serial killer film written and directed by Gerald Kargl, the one and only film he ever made. Though little known, the film has gained cult status over the years due to its raw, relentless violence and avant-garde cinematography. Continue reading
Panos Cosmatos’ debut feature Beyond the Black Rainbow was released in 2010 and has gained a cult following amongst film connoisseurs and synth score lovers. Four years later and after countless bootlegs by fans, Jeremy Schmidt’s synth-heavy score was finally released in September 2014 through Death Waltz/JAGJAGUWAR to critical acclaim. Continue reading