Craig Douglas highlights his top films of the year for 2016
Turns a truly grim subject matter into something strangely uplifting with one of the best child performances ever committed to celluloid from Jacob Trembly. Continue reading
Paul McKenzie highlights his top films of the year for 2016
With the New Year well under way its appropriate that we take a look back and pick some of our favourite films from the past 12 months. Looking back allows us to choose from a variety of different types of cinema. Here are my personal favourites viewed in 2016. Continue reading
Marek Robert highlights his top 5 film scores of the year for 2016.
The Neon Demon
Every time a new Cliff Martinez score is announced it’s almost guaranteed to be included in my favourite scores of the year and his score for Nicolas Winding Refn’s latest feature The Neon Demon is no exception. Continue reading
Chris Gallagher highlights his top 5 films of the year for 2016.
Director – Jeremy Saulnier
A visceral and pulsating experience, Green Room felt more like a rollercoaster ride than a movie. The ensemble cast is sublime, playing off each other with skill and ease. Jeremy Saulnier proves again that he is one of the most talented Directors around, using every affordable piece of space to almost drown you in tension and fear. The direction makes every scene relevant and Green Room Continue reading
The 70’s and 80’s were the golden era of Italian exploitation cinema. From the stylish gialli of Sergio Martino and Dario Argento to the infamously brutal cannibal films of Ruggero Deodato Continue reading
By Marek Robert
As we reach October and Halloween is approaching rapidly, it once again feels like the right time to get into the mood of things and give you a list of some of my favourite horror soundtracks. I’ve decided to make this a list of 80’s scores only as it’s my favourite era of horror film and scores, and just for the sake of keeping it down to five (which felt difficult enough).
So, here are my top five 80’s horror scores (in no particular order). Continue reading